Emusic - October 2018

This is really getting dire - pretty much all of the first two or three pages of my saved-for-later list is no longer available, and the new releases list is replete with compilations of questionable quality (“Music Inspired by ‘300’”), and barely warmed over excavations into the distant past (how many more Duane Eddy compilations do we need?). That said, I still got some gems this month, but it took rather a lot of digging.

Emusic August 2018


EMusic Spiralling Down the Tubes

Barring a major change, I think this is the last year I’ll keep my EMusic membership. They’ve always had a history of shedding and regaining artists and (indie) labels, but lately it seems like they’re only losing content. So many great labels have left the service Dischord, Alfa Matrix, and Artoffact are gone, to name just three. Saint Marie records is down to one single. Not one single album. One single.

Six of my most recently “save for later” albums are no longer available. One of them, I Don’t Want: The Gold Fire Sessions by Santigold, was released on July 27, and it’s already been yanked. Shriekback’s Why Anything? Why This?, released on May 25 (and who knows when it became available on EMusic - I just saw it two days ago for the first time) is also already gone. This is beyond frustrating.

I’ve been an EMusic member since 2002, back when EMusic was “download all you can” for a monthly fee. I stayed when they went to per-track pricing, because I understood that unlimited downloads was unsustainable for anyone - not EMusic, nor their labels and artists. I’m also on a grandfathered plan, so I get a lot of music for my money. In the past there’d always been tons of hidden gems - so many so that I have a long list of stuff saved for later. But as time has worn on, the rate at which my save for later list grows has slowed to nearly a standstill. If things don’t improve, by the time my membership is up for renewal, I’ll have exhausted that list. And it seems like instead of restoring content, or acquiring good new content (sorry, Russian pop doesn’t interest me), they’re peddling a stupid plan for the future of their service. It’s particularly insulting that they’re conflating better revenue sharing with blockchain. It’s a transparent attempt to use the investor-attracting buzzword of the month to bring in an influx of (apparently much-needed) cash, and it bodes ill.

EMusic July 2018

EMusic June 2018

EMusic April 2018

EMusic - March 2018

EMusic - February 2018