FULLY RESTORED - The only movie ever transferred with an 8K HD Scan

Shot in breathtaking 70mm in 24 countries on six continents, BARAKA is a transcendent global tour that explores the sights and sounds of the human condition like nothing you ve ever seen or felt before. These are the wonders of a world without words, viewed through man and nature s own prisms of symmetry, savagery, harmony and chaos.

BARAKA produced by Mark Magidson and directed and photographed by Ron Fricke, award-winning cinematographer of KOYAANISQATSI and creators of the IMAX® sensation CHRONOS has now been fully restored from its original camera negative via state-of-the-art 8K UltraDigital mastering to create the most visually stunning Blu-ray ever made.

INCLUDES OVER 80 MINUTES OF ALL NEW BONUS FEATURES:
Baraka: A Closer Look
Baraka: Restoration

Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That's good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997's Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand?

Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burton's original, and one of the best superhero movies of its time. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. —David Horiuchi

Batman at Amazon.com
All Batman DVDs
Batman Begins 101: A Comic Book Primer
Where Have I Seen Christian Bale?
All Batman Comics and Graphic Novels
Batman Toys
Batman Begins Soundtrack

Stills from Batman Begins (click for larger images)

When ex-blues musician Lazarus (Samuel L. Jackson) finds the town nymphomaniac Rae (Christina Ricci) left for dead on the side of the road, he vows to nurse her back to health…and cure her of her wickedness. Until then, she’ll be chained to the immovable radiator in his home. But Lazarus has demons of his own: his wife just left him for his own brother. While Lazarus and Rae struggle to fix their broken lives, the situation threatens to explode as Rae's boyfriend Ronnie (Justin Timberlake) — a roughneck soldier just back from Iraq — comes searching for his missing lover.

Wesley snipes stars as the tortured soul blade-possessing powers greater than any man or creature of the night. Blade sharpens his lethal skills under the guidance of a professional vampire hunter. When the bloodthirsty immortals lord deacon frost declares war on the human race blade is the last hope. Studio: New Line Home Video Release Date: 11/11/2008 Starring: Wesley Snipes Stephen Dorff Run time: 120 minutes Rating: R Director: Stephen Norrington

Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner returns in Ridley Scott's definitive Final Cut, including extended scenes and never-before-seen special effects, now seen in sepcatacular hi-definition! In a signature role as 21st- century detective Rick Deckard, Harrison Ford brings his masculine-yet- vulnerable presence to this stylish noir thriller. In a future of high- tech possibility soured by urban and social decay, Deckard hunts for fugitive, muderous replicants - and is drawn to a mystery woman whose secrets may undermine his soul. This spectacular 5-Disc Set features all of the content of the standard definition Ultimate Collector's Edition. All five version of the legendary Sci-Fi film from Director Ridley Scott with all new 5.1 audio - the definitive Final Cut, three additional versions of the film, and the rare Work Print version - in addition to the in-depth feature length documentary "Dangerous Days", and one complete disc of bonus content including over 80-minutes of never- before-seen deleted scenes.

Studio: Warner Home Video Release Date: 11/14/2006 Run time: 116 minutes

Charismatic young stars Sean Patrick Flanery and Norman Reedus play two Irish brothers, Connor and Murphy, who believe themselves ordained by God to rid the world of evil men. Their first killing is in self-defense; but after that, they start killing with devotion, gunning down a summit of the Russian mafia. Willem Dafoe plays a gay FBI agent (he listens to opera while examining crime scenes) who knows what the boys are doing but feels that their vigilante tactics are necessary. There's not much plot to The Boondock Saints—it—it's mostly a series of violent scenes in which the boys are partially ingenious and partially lucky. The movie seems to want to provoke debate about vigilantism, but the scenario is too implausible to stir any real controversy. The peculiar mix of earnestness and machismo will not appeal to everyone, but it's certainly unique and may acquire a cult following. —Bret Fetzer

Bill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)—anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story—i.e., let it observe behavior without explaining it—Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. —Bret Fetzer

If you crave an over-the-top historical kung fu-fantasy epic with a good dose of voluptuous nudity, bravura machismo, and passions so intense they verge on ridiculous, then Brotherhood of the Wolf is your movie. Based (loosely) on an 18th-century legend, this French film follows a hunky scientist (Samuel Le Bihan, who's sort of a second-string Christopher Lambert) and his Iroquois sidekick/spiritual partner (Mark Dacascos) as they pursue a monstrous wolf ravaging the French countryside. Along the way Le Bihan gets entwined with a beautiful noblewoman (Émilie Dequenne) and a gorgeous prostitute (Monica Belluci) with secrets. The plot grows more and more incomprehensible, but the mix of torrid emotions, outrageous action sequences, and lurid titillation is really what the movie is about. Ignore the highbrow philosophizing and confused political intrigue; just enjoy the sensual images. —Bret Fetzer

When mysterious deaths plague the shady rest retirement home its up to its most sequined senior citizen & a curmudgeon in chief to defeat a 3000 year old mummy. Will this bubba ho-tep make sure theres never another elvis sighting? or can the king show the world that he can still take care of business? Studio: Tcfhe/mgm Release Date: 09/21/2004 Starring: Bruce Campbell Ossie Davis Run time: 92 minutes Rating: R

These OAVs were among the first Japanese series released as such in the U.S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A.D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. "Double Vision" (1990) introduces the mysterious pop star Vision, and "Scoop Chase" (1991), in which a high school journalist tries to unmask the Knight Sabers, ends the series on a silly note. The direction and design in the first trilogy look decidedly old-fashioned, but the later adventures grow increasingly sophisticated. Odd notes include suggestions of lesbianism, officer Daley's homosexual passes at Leon (who gets better-looking in each redesign), and Mackie trying see his sister in her underwear. Included in the set are Hurricane Live! 2032 and 2033, collections of music videos, and concert footage of the Japanese voice actresses singing the pop songs used in the series. Unrated; suitable for ages 16 and up: Violence, grotesque imagery, profanity, brief nudity, tobacco use, and sexual situations, including prostitution. —Charles Solomon

These OAVs were among the first Japanese series released as such in the U.S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A.D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. "Double Vision" (1990) introduces the mysterious pop star Vision, and "Scoop Chase" (1991), in which a high school journalist tries to unmask the Knight Sabers, ends the series on a silly note. The direction and design in the first trilogy look decidedly old-fashioned, but the later adventures grow increasingly sophisticated. Odd notes include suggestions of lesbianism, officer Daley's homosexual passes at Leon (who gets better-looking in each redesign), and Mackie trying see his sister in her underwear. Included in the set are Hurricane Live! 2032 and 2033, collections of music videos, and concert footage of the Japanese voice actresses singing the pop songs used in the series. Unrated; suitable for ages 16 and up: Violence, grotesque imagery, profanity, brief nudity, tobacco use, and sexual situations, including prostitution. —Charles Solomon

These OAVs were among the first Japanese series released as such in the U.S. and are remembered fondly by fans. An early example of cyberpunk that borrows heavily from Blade Runner and Robocop, Bubblegum Crisis depicts the adventures of the female vigilante group the Knight Sabers. In form-fitting, high-heeled mecha suits, Sylia, Priss, Linna, and Nene fight the rogue cyborgs of the sinister Genom Corporation in MegaTokyo, 2032. Sylia's brother Mackie, and A.D. Cop Leon, Priss's long-suffering suitor, assist them. The first three episodes (1987) form a single continuity; "Revenge Road" (1988) depicts a battle between an embittered man and a motorcycle gang. "Moonlight Rambler" (1988) and "Red Eyes" (1989) pit the Saber Knights against vampire cyborgs prowling MegaTokyo. "Double Vision" (1990) introduces the mysterious pop star Vision, and "Scoop Chase" (1991), in which a high school journalist tries to unmask the Knight Sabers, ends the series on a silly note. The direction and design in the first trilogy look decidedly old-fashioned, but the later adventures grow increasingly sophisticated. Odd notes include suggestions of lesbianism, officer Daley's homosexual passes at Leon (who gets better-looking in each redesign), and Mackie trying see his sister in her underwear. Included in the set are Hurricane Live! 2032 and 2033, collections of music videos, and concert footage of the Japanese voice actresses singing the pop songs used in the series. Unrated; suitable for ages 16 and up: Violence, grotesque imagery, profanity, brief nudity, tobacco use, and sexual situations, including prostitution. —Charles Solomon